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“This is a xylophone, take this little wooden hammer and play a few notes.” Moses took the hammer held out to him and striking a wooden bar brought out a weird but sweet sound. He struck several bars in succession and was enraptured to find that they produced a sort of veiled silvery music. “Sounds like the moon looks when you carnt see it fer clouds,” he mused, “Mar thinks I’d make a moosican, mebbe she’s right.” “That bunch with the tickets, them’s the refugees,” Billy whispered to Jean. “See? Mr. Patton’s talking to them. Mr. Brown’s going to take ’em to their places in his hack. I wonder which is ours. Jiminy! See how hard that poor little kid’s trying to bluff her tears!” “Geegustibus! You kids are doin’ a fine job,” Billy encouraged, as he walked by the line of little bending, sweating backs. “There never was a railroad built on the square like this. Contractors on time; men a-workin’ that’s got brains an’ ain’t afraid to use ’em. Jiminy crickets, it’s fine!”.
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Conrad
“Yes, go away, Billy; I’m not afraid.” May Nell laughed happily. Her quick mind was delighted with the masquerading. “Not yet, but they must all go to-night.” “Orl right, you rascalashus coaxer, an’ go make some tea an’ fetch some crackers an’ cheese an’ we’ll orl hev a bite.” Here his laughter became a series of concussions decidedly menacing to his well-being..
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